Use Cases

Elaine Maltezos, a Norwegian-based orchestral recording engineer, attributes much of her career success to her work with Merging Technologies. With a background as a viola player in the United States, Maltezos has translated her deep understanding of orchestral performance into the technical realm, using Merging’s advanced tools to capture every detail of the music she records. Her choice to work with Merging’s Pyramix digital audio workstation and interfaces like Anubis, Hapi, and Horus has allowed her to expand her craft, particularly in the field of immersive audio, where she’s been highly active in Norway.

Elaine Maltezos - Nobel Lyd Studio (photo credits: Tarjei Hummelsund)

Maltezos’ experience with Merging Technologies began when she sought a set of tools that could handle complex, multichannel recording setups essential for orchestras. Pyramix, in particular, has been indispensable to her workflow. “The flexibility of Pyramix is what drew me to it,” she notes, emphasising that the software’s advanced editing and spatial mixing tools allow her to tackle challenging orchestral projects from start to finish with a cohesive workflow. The software's multichannel support and immersive audio capabilities are central to her success in creating enveloping soundscapes, which are invaluable to artists and producers working in Dolby Atmos and other spatial audio formats.

The Anubis interface, another staple in her setup, has further revolutionised Maltezos' approach by providing her with reliable, real-time monitoring capabilities. “Anubis is so much more than a control monitor,” Maltezos explains. “It’s become essential in my work, especially in orchestral recordings where I’m dealing with multiple live feeds and complex monitoring needs.” The device’s low-latency monitoring and high-quality preamps allow her to capture each instrument with unmatched clarity and precision.

Beyond Anubis, Merging’s Horus and Hapi networked audio interfaces have given Maltezos additional flexibility. Horus’ ultra-low latency and pristine audio quality make it ideal for her large-scale orchestral recordings, while Hapi’s compact form is perfect for remote setups and smaller projects. Together, they create an ecosystem that adapts to various recording environments, enabling Maltezos to handle both live orchestral and studio recordings with ease.

Elaine Maltezos (photo credits: Tarjei Hummelsund)

These tools have allowed Maltezos to raise her production quality to international standards, positioning her as a key player in Norway’s immersive audio market. Artists and producers in the region have come to expect the high-level audio fidelity Merging’s technology makes possible. With Merging in her arsenal, Maltezos has brought these capabilities to Norway, establishing herself as a top-tier engineer in orchestral and immersive recording.

Merging’s innovations have also fuelled her creative growth, empowering her to take on projects that challenge her technical expertise and artistic vision. Maltezos describes Merging’s technology as more than just equipment – it’s a “partner” in her work, one that enables her to push the boundaries of what can be achieved in immersive audio.

Elaine Maltezos (photo credits: Tarjei Hummelsund)

More info: