On the evolution of the art of recording and mixing film scores, Stone points out the switch from Dolby Surround to Dolby Digital as a significant turning point in his industry. “There was a major change when film sound went from ‘Dolby Surround’ to ‘Dolby Digital’ or to put it more generically, from a matrixed stereo master which was opened up into Left, Centre, Right, Surround (mono surround) when played back, versus actual discrete six channels of sound (LCR, Stereo Surrounds, Sub). It’s a deep subject, but I think score-mixing techniques had to fundamentally change to make the most of that.”
Part of Stone’s latest setup is based around Merging Technologies gear, including Hapi MkII and an Anubis, “The Hapi has an eight-channel DAC card in it and the Anubis supports two mic/line inputs, four outputs plus headphones - none of which I’m currently using. You can think of the Anubis as a monitor processor and controller, though it really is an audio interface also. For anyone who only needs stereo monitoring, an Anubis by itself does all of this. The Anubis now provides the monitor EQ and delays for my surrounds - it could also do bass management, but I haven’t tried that yet. I can also use the Anubis to switch between multiple inputs to monitor my 7.1 mix, my stereo mix, the demo mix, and my system audio for playing reference material.”
On the networked capabilities of Merging Technologies gear, Stone explains, “These Merging pieces both feature networked audio (RAVENNA), meaning, they are on their own gigabit ethernet network, and audio can be routed between them and my computer using a virtual audio driver that I select as the audio engine for Pro Tools - I can send up to 64 channels from Pro Tools into the network.”
Looking into the future of score mixing and recording, Stone sees a new revolution on the horizon, “We’re still in the early stages of the next biggest change in that vein, which is Dolby Atmos.” Merging Technologies gear is sure to be a cornerstone in this development of immersive audio.
Casey Stone