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Lance Powell
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MERGING+ANUBIS
Flexibility, power and quality at your fingertips whatever your challenge.
Merging’s 30 years of developments are all concentrated into the Anubis. This compact AD/DA is unique in its configurability to perform your mission without changing the hardware. Included is our new 32bit dual PreAmp topology, incredible headphone amps, D/A converters derived from our years of audiophile experience, all combined with a powerful low-latency mixing engine evolved from our 25 years of DAW design.
Uniquely Modular by Software, Anubis is truly ONE OF A KIND.
HOME STUDIO
Anubis can be used standalone or simultaneously with a DAW for front-end signal processing combined with the Music Mission DSP engine for ultra-low latency monitoring and/or tracking
Big mixer with astonishing performance with all the sends, cues, snapshots and effects you need for single home recording or for multiple performers recording sessions. Connect your MIDI keyboard, record your instruments, balance your low latency mix, make your performers’ cues, use your favorite effects chains and route them in the Anubis Mixer
No color and fully transparent PreAmps with astonishing A/D performance and a dynamic range of 139dB with gain scale from 0 to 78dB (boost). Our pristine D/A technology ensures that you hear what your recording, mixes and masterings deserves
REVIEW
“With amazing audio quality in the studio that transfers to live and streaming scenarios, thru or bypassing a DAW whilst still using its FX; what kind of magic is this? Ultra-low latency mixing gives unbeatable timing for singers and musicians; this very portable box is totally transforming my performances with the ability to take my studio sound set up straight to the stage. This is the magic of Anubis”
Estelle Rubio
Producer, remixer and singer/songwriter - London
REHEARSAL SPACE
Fully standalone operations without the need of network, tablet all can be operated from the Anubis Touchscreen high resolution display. We now say “Mix in the Box from the Box” wherever you are.
With its multiple CUES support you’ll be able to; prepare, mix, control those CUES, monitor them, talk to your performers and put them at ease so that you get the best performance out of your artists by using the Built-in EQ, Dynamics and Reverb
Control all your mix and monitors locally from the Anubis TFT or by using one of our remote-control solutions. Adding more I/O has never been so simple, if you need to record more I/O simply add an AES67 interface and Anubis is in full control
REVIEW
“The Anubis and its Music Mission is more then just an Audio interface. It's a complete portable mixer that allows me to rehearse and perform without needing to carry extra gear.
Latency wise on a mobile setups its direct mixer is simply unheard of, a live saver with zero latency audible.”
Guy Kaye - Pro Guitarist & Montreal Mixart Studio co-owner.
Youssou N'Dour, Cirque du Soleil, Baaba Maal, The Voice, multiple tours and TV shows.
LIVE STAGE
Connect multiple Anubis or AES67 compatible devices over your network and perform concerts or live recording.
Reliable and robust with easy AoIP integration and with fully standalone operations support (no PC, no Mac, no tablet needed). Send your stage inputs to the FOH over IP or be a one man show and do it all yourself with footswitch control to recall your snapshots.
Every Anubis includes High Quality EQ’s, a full Dynamics with Limiting, compression, gate and expander and a built-in Reverb. More than that, those effects can be applied on the channel, in parallel or on your Outputs buses.
REVIEW
“Anubis Music Mission is fantastic !
The amazing Merging sound, easily expandable I/O, plus an extremely flexible and intuitive expandable mixer. The Mission has everything I need to mix FOH, broadcast, and monitors for “throw and go” gigs in a stand alone compact form. The highest quality mic pres and converters, great EQ and Dynamics, and multiple busses. A must have for my gig case.”
Craig Doubet
FOH for Michael Bublé, Selena Gomez, KD Lang, Prince.
Recording credits: Nirvana, Ozzy Osbourne, Janet Jackson, Rage against the Machine.
MIX & MASTER
Astonishing quality with support of high sampling rate such as 192 kHz (Anubis Pro edition) and up to 352.8kHz, DXD and DSD (Anubis Premium edition).
Multiple snapshots to recall any of your session’s configuration.
Immersive audio formats can be monitored and controlled with easy addition of RAVENNA or AES67 I/O
Small desktop footprint with multi-touch display or with tablet or web browser remote control
Flexible talkback and GPO options to manage all aspects of your session
REVIEW
“I was looking for a high-quality, compact, converter and headphone amp for mobile mixing. The Anubis beat the competition and added an abundance of extra features which have become indispensable. Great preamps and touch screen which you can adapt to your own requirements. There is nothing I've seen on the market with this feature set and quality.”
Shane Shanahan
Westpoint Studios, London. - Noizy, Ms Banks, Abra Cadabra, Little Mix
ON-AIR, DATA CENTER, POST
AoIP standards support makes it the perfect choice for Broadcast Studios, OB Vans or Editing Rooms. The Anubis’ compactness and robustness makes it the ideal choice for Location Recording and Live Events monitoring. Cost-effective and efficient interface for large scale AoIP network installations when combined with the MAD Infrastructure pack for full ST2022-7, Virtual Machine and NMOS support.
Large count of supported surround formats for Film and TV Post Studios with bass management support and built-in crossover. Complete Sources and Monitors controls along with a Stream Listener feature for On Air Monitoring
REVIEW
“NEP the Netherlands uses multiple Merging products including the Anubis, Anubis SPS, Hapi and the MacOS AES67 driver on its Centralized Production platform. The choice for these products was mainly made on the basis of quality and functionality, whereas the Anubis SPS is currently a unique device of its kind. Advantages of the Anubis SPS are the audio quality, size, compatibility and ST2110-7, which make it a device that can be readily deployed to meet the high-quality standards for broadcast.”
Dennis Uiterwijk
NEP The Netherlands
HOME STUDIO
Anubis can be used standalone or simultaneously with a DAW for front-end signal processing combined with the Music Mission DSP engine for ultra-low latency monitoring and/or tracking
Big mixer with astonishing performance with all the sends, cues, snapshots and effects you need for single home recording or for multiple performers recording sessions. Connect your MIDI keyboard, record your instruments, balance your low latency mix, make your performers’ cues, use your favorite effects chains and route them in the Anubis Mixer
No color and fully transparent PreAmps with astonishing A/D performance and a dynamic range of 139dB with gain scale from 0 to 78dB (boost). Our pristine D/A technology ensures that you hear what your recording, mixes and masterings deserves
REVIEW
“With amazing audio quality in the studio that transfers to live and streaming scenarios, thru or bypassing a DAW whilst still using its FX; what kind of magic is this? Ultra-low latency mixing gives unbeatable timing for singers and musicians; this very portable box is totally transforming my performances with the ability to take my studio sound set up straight to the stage. This is the magic of Anubis”
Estelle Rubio
Producer, remixer and singer/songwriter - London
REHEARSAL SPACE
Fully standalone operations without the need of network, tablet all can be operated from the Anubis Touchscreen high resolution display. We now say “Mix in the Box from the Box” wherever you are.
With its multiple CUES support you’ll be able to; prepare, mix, control those CUES, monitor them, talk to your performers and put them at ease so that you get the best performance out of your artists by using the Built-in EQ, Dynamics and Reverb
Control all your mix and monitors locally from the Anubis TFT or by using one of our remote-control solutions. Adding more I/O has never been so simple, if you need to record more I/O simply add an AES67 interface and Anubis is in full control
REVIEW
“The Anubis and its Music Mission is more then just an Audio interface. It's a complete portable mixer that allows me to rehearse and perform without needing to carry extra gear.
Latency wise on a mobile setups its direct mixer is simply unheard of, a live saver with zero latency audible.”
Guy Kaye - Pro Guitarist & Montreal Mixart Studio co-owner.
Youssou N'Dour, Cirque du Soleil, Baaba Maal, The Voice, multiple tours and TV shows.
LIVE STAGE
Connect multiple Anubis or AES67 compatible devices over your network and perform concerts or live recording.
Reliable and robust with easy AoIP integration and with fully standalone operations support (no PC, no Mac, no tablet needed). Send your stage inputs to the FOH over IP or be a one man show and do it all yourself with footswitch control to recall your snapshots.
Every Anubis includes High Quality EQ’s, a full Dynamics with Limiting, compression, gate and expander and a built-in Reverb. More than that, those effects can be applied on the channel, in parallel or on your Outputs buses.
REVIEW
“Anubis Music Mission is fantastic !
The amazing Merging sound, easily expandable I/O, plus an extremely flexible and intuitive expandable mixer. The Mission has everything I need to mix FOH, broadcast, and monitors for “throw and go” gigs in a stand alone compact form. The highest quality mic pres and converters, great EQ and Dynamics, and multiple busses. A must have for my gig case.”
Craig Doubet
FOH for Michael Bublé, Selena Gomez, KD Lang, Prince.
Recording credits: Nirvana, Ozzy Osbourne, Janet Jackson, Rage against the Machine.
MIX & MASTER
Astonishing quality with support of high sampling rate such as 192 kHz (Anubis Pro edition) and up to 352.8kHz, DXD and DSD (Anubis Premium edition).
Multiple snapshots to recall any of your session’s configuration.
Immersive audio formats can be monitored and controlled with easy addition of RAVENNA or AES67 I/O
Small desktop footprint with multi-touch display or with tablet or web browser remote control
Flexible talkback and GPO options to manage all aspects of your session
REVIEW
“I was looking for a high-quality, compact, converter and headphone amp for mobile mixing. The Anubis beat the competition and added an abundance of extra features which have become indispensable. Great preamps and touch screen which you can adapt to your own requirements. There is nothing I've seen on the market with this feature set and quality.”
Shane Shanahan
Westpoint Studios, London. - Noizy, Ms Banks, Abra Cadabra, Little Mix
ON-AIR, DATA CENTER, POST
AoIP standards support makes it the perfect choice for Broadcast Studios, OB Vans or Editing Rooms. The Anubis’ compactness and robustness makes it the ideal choice for Location Recording and Live Events monitoring. Cost-effective and efficient interface for large scale AoIP network installations when combined with the MAD Infrastructure pack for full ST2022-7, Virtual Machine and NMOS support.
Large count of supported surround formats for Film and TV Post Studios with bass management support and built-in crossover. Complete Sources and Monitors controls along with a Stream Listener feature for On Air Monitoring
REVIEW
“NEP the Netherlands uses multiple Merging products including the Anubis, Anubis SPS, Hapi and the MacOS AES67 driver on its Centralized Production platform. The choice for these products was mainly made on the basis of quality and functionality, whereas the Anubis SPS is currently a unique device of its kind. Advantages of the Anubis SPS are the audio quality, size, compatibility and ST2110-7, which make it a device that can be readily deployed to meet the high-quality standards for broadcast.”
Dennis Uiterwijk
NEP The Netherlands
A small but astonishingly powerful system controller and interface, [...] with stunningly impressive preamps.
- Hugh Robjohns, Sound On Sound -MODELS - HARDWARE FLAVORS
MERGING+ANUBIS – Discover the Anubis hardware with the introductionary video.
Anubis has two variants: MERGING+ANUBIS and MERGING+ANUBIS SPS. SPS offers an additional network connection for either redundancy or to eliminate an external switch, while Anubis offers an EtherCon connector for extra connectivity reliability. Your choice of model depends on your usage profile. As with other Merging products, both versions are offered in Pro or Premium. If 192kHz is the limit for you, go for Pro. If you are into true Hi-Res Audio and work in DXD/384kHz or in DSD, you will need Premium.
Whichever flavor you choose, you get the same beautiful unibody case crafted from a single piece of aluminium with the same multi-touch display with all the same control possibilities. ONE OF A KIND – whatever the flavor
MISSIONS - MODULAR APPLICATIONS
From the initial recording through to the final master, there are specific ‘missions’ that require precision and control. MERGING+ANUBIS gives you complete control to choose the ‘mission’ application to accomplish each stage - effortlessly.
If your mission of the day is to create a great mix, you need to be in complete control of your monitoring: reference monitors, nearfields, headphones, sources, surround mix, downmix, etc., so you will be in the Monitor Mission. If your mission is to record the band or rehearse for the next gig, you will be in the Music Mission controlling the extraordinarily powerful ultra-low-latency mixer and feeding individual cue mixes to each musician. Anubis gives you that “Mission Control” in a single, compact device that has unrivalled capabilities defined by the software application. MERGING+ANUBIS allows the user to choose the Mission Controller app that fits the task. ONE OF A KIND
ANUBIS PLUGINS
Optional plugins for MERGING+ANUBIS
Anubis can host optional plugins developed by Merging, available for purchase on the Merging Online Store
MERGING+DEESSER
MERGING+DEESSER
Add-on Anubis plugin used to attenuate, reduce sibilance or harsh high-frequency sounds that come from dialogue, vocals, instruments or percussions. Sibilance is a type of sound that often seems harsh in the context of a recording. Typically, “S” and “T” are the worst offenders. The Merging+Deesser can also be used to remove the harshness of drums cymbals (Overhead mics).
Once purchased and authorised the Merging+Deeseer is available in the ultra-low latency Mixer of Anubis and ideal for singers tracking vocals live, it can also be used on mixes to remove harshness.
MERGING+DEESSER
- Intuitive UI and ease of operations
- Supported from 44.1kHz up to 352.8kHz (DXD) and 384kHz.
- Listen feature to isolate and monitor the target sibilant frequencies
- Multiple Merging+Deesser instances supported per Anubis (from 4 to 20 depending of resources)
- 18 Snapshots including 6 Factory Snapshots
MERGING+DEESSER
The Merging+Deesser comes as an option that can be purchased from the Merging Online Shop .
At purchase a key will be issued and needs to be entered in the Merging License Manager from either: MAD, VAD, ANEMAN or MT Discovery to activate the plugin in the Music Mission.
Note: Supported as of Firmware version 1.4.0 and higher.
MERGING+BLACKHOLE
MERGING+BLACKHOLE
The Eventide Blackhole add-on for Anubis is a classic Eventide reverb effect capable of producing huge spaces and out-of-this-world soundscapes.
Most reverbs are earth-bound and constrained by the physics of the real world. The Eventide Blackhole® reverb breaks the rules by allowing you to create virtual spaces that could never exist in reality (or at least the one we inhabit). At large sizes, its soft attack and lingering, harmonic tails allow it to really shine on guitars, strings, and pads. At small sizes, those very same qualities can add an angelic sheen to vocals or turn a simple drum track into an otherworldly rhythm section.
The Blackhole user interface is designed with an emphasis on user control and playability. Specifically, the knobs are easily adjusted with an up-and-down motion of the finger, and all controls produce a smooth change in the audio, allowing you to glitchlessly shape the effect as you desire.
Blackhole was designed to give you extensive control, allowing you to craft your own signature sounds. Included with Blackhole is a set of 18 Anubis Snapshots presets.
MERGING+BLACKHOLE
MERGING+BLACKHOLE
The Merging+Blackhole comes as an option that can be purchased from the Merging Online Shop .
At purchase a key will be issued and needs to be entered in the Merging License Manager from either: MAD, VAD, ANEMAN or MT Discovery to activate the plugin in the Music Mission.
Note: Supported as of Firmware version 1.4.6 and higher.
3RD PARTY ADD-ONS
Anubis opens to third party add-ons
The power of Anubis can be fully realized when partnered with other trusted suppliers that enhance the productivity and utility of the appropriate Mission.
MERGING+ANUBIS is the first hardware to enable a SoundID Reference correction outside of the computer. No need to worry about inserting SoundID Reference plugin or software on the DAW anymore.
SoundID Reference is a speaker and headphone calibration software from Sonarworks removing unwanted coloration and delivering accurate studio reference sound. With SoundID Reference you can stop second-guessing yourself and trust that every mix will translate. You'll hear a flat, consistent sound wherever you work from.
Anubis now supports SoundID Reference Multichannel corrections all the way to Dolby Atmos 9.1.6!
Give your studio/ OB van/ headphones a SoundID correction in no time.
For those wanting to calibrate their rooms manually, Anubis offers 336 EQ bands with trims and delays!
Since Anubis is meant to be the center of the studio, having SoundID Reference correction running brings confidence that no matter which source you are listening to (DAW, Computers, live mics, etc...) you can be confident SoundID Reference correction will be applied at the lowest possible latency.
- Less than 0.35ms at 44.1/48 kHz
- Less than 0.19ms at 88.2/ 96kHz
- Close to ZERO! at 176.4/ 192kHz/ DXD and 384kHz
While SoundID Reference standalone software offers 3 different filter types (low latency, mixed and linear phase), Anubis enables SoundID Reference correction using Pyramix acclaimed EQ-X filter topology.
EQ-X is a mastering EQ used since many years by our mastering customers on thousands of award winning records around the world.
The state space filter design of this Extreme Definition Equalizer has been specifically optimized to deal with the highest audio resolutions while still permitting very low noise & distortion, typically offering a THD+N of better than -110dB, throughout the entire audible (and even non-audible) range. Of course, this new digital filter's topology, while designed with high sample rate in mind, also offers the extra benefits and low noise to 1FS equalization.
Anubis helps you mix in the right listening environments for your different delivery requirements.
SoundID Reference can export to Anubis different corrections curves for the room response to be flat or match a Dolby Atmos Music target, a user custom target or translation check curves (emulating cars, cellphones, laptops, etc…).
At a touch of a button Anubis can recall the required correction, for quick comparisons or changes.
All speaker sets of the same control room can be corrected.
Anubis remembers the selected correction for each speaker set and activates it as the user toggles between near fields, mid fields and any other alternate speaker set.
Whether using the monitoring or the music mission, Anubis is the perfect headphones cue station. Anubis can now run a lot more SoundID Reference corrections at the same time.
For example, a main stereo speaker set can be corrected in the control room, plus 5 simultaneous different headphones.
Or a 7.1.4 speaker set plus 3 different headphones.
And even a 9.1.6 speaker set plus 2 different headphones cues.
Note: When speaker sets aren’t running simultaneously, there is virtually no limit to the number of speaker sets that can be corrected with SoundID Reference. The music mission only supports stereo.
The process is as simple as this: purchase the relevant version of SoundID Reference from any Sonarworks dealer or online store, get Anubis from your favorite Merging dealer and you are ready to go!
Should you wish to run a SoundID Reference multichannel correction onto Anubis, head to the Merging online store in order to purchase an Anubis Sonarworks multichannel license.
Are you a fan of Sonarworks headphones correction? Treat yourself to one of the best headphones amps used by top engineers around the world.
USE CASES
Example setups with MERGING+ANUBIS
The Monitor Mission mode can be configured according to your needs. Here are some diagram examples typically used in a professional studio setup. Anubis small size also means you can bring your control room with you when on location.
Surround and Atmos Support
- Expandable with an additional RAVENNA/AES67 device for more monitor outputs and/or source inputs
- Surround support up to 22.2 along with all the Atmos support from 5.1.4, 7.1.4 all the way up to 9.1.6
- Monitoring control over all or each of your speakers
- The complete monitoring features along with Downmix, Speakers Alignment, EQ, and Bass Management support
Typical Music Setup
- Directly record voice, guitars, bass, keyboard or any other instrument or source and benefit form an ultra low built-in mixer
- All the Monitoring features for stereo speaker setup, alternate speakers as well as 2.1 and 2.2 setups
- MIDI I/O Support or footswitch support, 2 x headphones high-end quality, built in talkback and more
- External inserts or sends support, to integrate analog gear into your built-in mixer or master with Anubis
Typical Monitoring Setup
- Total control over all your monitoring with advanced features
- Configurable Sources and Monitor sets
- 2 x Headphones High End quality, 2 x talkback circuitry support
- Monitors EQ, Bass Management, Delay, Trim, Summing, Downmix and more
Multiple Performers Setup
- Multiple performers' setup where each one has their own Anubis (individual studio booth)
- The engineer distributes a foldback mix to each performer who then benefits from their own Anubis to make their individual balance
- Each performer has their own cue control by mixing their own inputs with the foldback mix and can benefit from more processing power (Reverb, EQ, Dynamics)
- The Music Mission is recommended for this set up
Single Anubis with performers
- Record up to 4 inputs simultaneously with a single Anubis, make and distribute Cues for all your performers (a single Anubis supports 5 x CUES)
- Add an additional RAVENNA/AES67 interface on your network and additional performer (Drums) if more I/O is required
- The engineer prepares and distributes the CUE mix for all performers, each one of them can adjust their own Cue Mix balance using a phone or tablet.
Easy expandable I/Os
- Add any additional RAVENNA/AES67 compatible device and immediately expand your I/O count
- Have total control over those I/O's
- All the Monitoring and Music Mission features sets applies to those additional I/O's
Easily expandable I/Os with ANUBIS SPS model
- Add any additional RAVENNA/AES67 compatible device and immediately expand your I/O count
- Built in switch mode removes the need for a Network Switch for small systems.
ST2022-7 Seamless Protection Switching
- Anubis SPS includes no compromise ST2022-7 class C and NMOS compliance and features two network ports
- It provides the most efficient and cost-effective solution to AoIP stream monitoring and management
- SMPTE ST2110: Anubis SPS meets the demanding requirements of JT-NM and is self-certified
Anubis SPS Switch Setup
- Anubis SPS can be used in switch mode instead of redundant ST2022-7 model
- Removes the necessity to have a network switch in scenarios where a DAW simply needs to be connected to a Horus, Hapi or Anubis.
- Easy expandable solution allowing even standalone support for I/O expansion
- Allows remote control quick access
UNITE & PEERING, an easy pass to the AoIP world
- Anubis and a Merging Driver is all you need to UNITE and simplify your RAVENNA/AES67 network streams connectivity
- UNITE is an automatic AoIP Stream patching feature that allows a user with one mouse click to connect all I/O between the Anubis and the System/Driver.
- Expand your I/O by adding a Merging RAVENNA/AES67 interface on your network or directly connect it to Anubis.
Drivers for all
- Merging provides Drivers for different platforms so that you can run Anubis with any PC, Mac or Linux system.
- PC: Merging Audio Device (MAD)
- MAC: RAVENNA/AES67 Virtual Audio Device (VAD)
- Linux: RAVENNA/AES67 ALSA Audio Driver
Music Mission Monitoring Support
Monitor Mission Monitoring Support
SUPERB SPECIFICATIONS
Merging has a reputation for getting it right when it comes to audio quality and we have years of experience. It would be surprising if Anubis was any less than the best we can achieve. Great sound is only part of the story, just look at the performance measurements.
| General Specifications | |
|---|---|
| Case Material | Premium machined and anodized aluminium |
| Dimensions | 200 x 128 x 40mm |
| Weight | 950 g |
| Top Panel Display | Capacitive Touch, TFT LCD 800 x 480 pixels resolution 16:9 Aspect ratio |
| Rotary Encoder | Anodized aluminum + Black rubber O-ring |
| 7 x Hardware + Soft buttons | RGB LEDs |
| Bottom Panel Mic stand thread | 3/8" 16BSW European thread incorporated Note: Americas 5/8" 27UN adaptor not included |
| Software Specifications | |
|---|---|
| Windows Driver/OS |
Windows 7 64bit / Windows 8.1 64bit: RAVENNA ASIO v12.0 (ASIO 2.2) Windows 10 64bit: MAD v2.0 (Merging Audio Device) |
| Mac Driver/OS | VAD Core Audio for macOS 10.8.5 or higher (Intel & M1) |
| Linux Driver/OS | ALSA Linux driver for RAVENNA/AES67 |
| ANEMAN | Version 1.1.7 and above |
Device Connectivity.
The Anubis interface has two analog high quality combo connectors, and an additional two front line/instrument analog inputs. On the output side, you get two gold plated XLR and two TRS jacks. In addition, there are two independent stereo headphone jacks with the best quality amplification we have ever done. There is also MIDI I/O or GPIO and the all-important AES67/RAVENNA connector.
| MICROPHONE INPUTS 1-2 (Combo) | |
|---|---|
| Connector Type | Combo Locking Neutrik XLR / TRS |
| Dynamic Range Mic / Mic Boost | 137 dB / 128 dB (A-weighted, typ.) |
| Max Input level Mic Pad / Mic / Mic Boost | +24 dBu / +12 dBu / +0 dBu |
| Frequency response +0/-0.2dB @ fs = 48 kHz | 9 Hz – 22 kHz |
| Frequency response +0/-3dB @ fs = 96 kHz | 9 Hz – 46 kHz |
| Frequency response +0/-3dB @ fs = 192 kHz | 11 Hz – 94 kHz |
| THD+N Preamp + A/D 1kHz @ 0 dBFS | < -110 dB (0.0003%) |
| Interchannel Crosstalk @ 1kHz | < -130 dB |
| Equivalent Input Noise Mic / Mic Boost (150Ω Source) | < -125 dBu / -128 dBu (A-weighted, typ.) |
| Common Mode Rejection Rate (20 Hz – 20 kHz) | > 80 dB |
| Input Impedance (Differential) | ~ 10kΩ |
| Gain Range (Software controlled) | 0 dB to +66 dB |
| Gain Step Coarse / Fine | 0.5 dB / 0.1 dB |
| Phantom Power (Software Switchable Per Channel) | +48V |
| Phase Reverse (Software Switchable Per Channel) | Yes |
| Low Cut filter (Software Switchable Per Channel) | -12 dB/octave, 80 Hz |
| 5° low-end in-channel Ø deviation pt: Mic | 9 Hz |
| Interchannel phase 10 Hz - 100 kHz | < ±2° |
| LINE INPUTS 1-2 (Combo) | |
|---|---|
| Connector Type | Combo Locking Neutrik XLR / TRS |
| Dynamic Range, ref +24 dBu | 139 dB (A-weighted, typ.) |
| Max Line Input Level | +24 dBu |
| Input Impedance (Differential) | ~ 10kΩ |
| THD+N Preamp + A/D 1kHz @ 0 dBFS | < - 104 dB (0.0006%) |
| Interchannel Crosstalk @ 1kHz | < -140 dB |
| Sensitivity Range for 0 dBFS (Software controlled) | +24 dBu to -42 dBu |
| Common Mode Rejection Rate (20 Hz – 20 kHz) | > 80 dB |
| 5° low-end in-channel Ø deviation pt: Line | 9 Hz |
| Interchannel phase 10 Hz - 100 kHz | < ±2° |
| INSTRUMENTS / Hi-Z & LINE INPUTS 3-4 | |
|---|---|
| Connector Type | ¼” TRS Female |
| Dynamic Range, ref +18 dBu | 136 dB (A-weighted, typ.) |
| Max Input Level | +18 dBu |
| Input Impedance (Single ended / Differential) | ~ 1MΩ / ~ 2MΩ |
| Gain Range (Software controlled) | 0 dB to +66 dB |
| THD+N Preamp + A/D 1kHz @ 0 dBFS | < - 111 dB (0.0003%) |
| Interchannel Crosstalk @ 1kHz | < -150 dB |
| Sensitivity Range for 0 dBFS (software controlled) | +18 dBu to -48 dBu |
| Common Mode Rejection Rate (20 Hz – 20 kHz) | > 70 dB |
| 5° low-end in-channel Ø deviation pt: Inst/Line | 2 Hz |
| Interchannel phase 10 Hz - 100 kHz | < ±1° |
| MAIN OUTPUTS 1-2 | |
|---|---|
| Connector Type | Neutrik XLR Male |
| Dynamic Range | 123 dB (A-weighted, typ.) |
| Max output Level (Differential / Single ended) | +24 dBu (12.2 Vrms) / +18 dBu (6.1 Vrms) |
| Frequency response +0/-0.2dB @ fs = 48 kHz | 6 Hz – 22 kHz |
| Frequency response +0/-3dB @ fs = 96 kHz | 2 Hz – 46 kHz |
| Frequency response +0/-3dB @ fs = 192 kHz | 2 Hz – 92 kHz |
| Output Impedance | < 70Ω |
| THD+N 1 kHz @ 0 dBFS | < - 110 dB (0.0003%) |
| Output Level Matching | ±0.01 dB |
| Attenuation Range (Software controlled) | - ∞ dB to 0 dB |
| Gain Step / Precision | 0.5 dB / ±0.05 dB |
| LINE OUTPUTS 3-4 | |
|---|---|
| Connector Type | ¼” TRS Female |
| Dynamic Range | 123 dB (A-weighted, typ.) |
| Max output Level (Differential / Single ended) | +24 dBu (12.2 Vrms) / +18 dBu (6.1 Vrms) |
| Output Impedance | < 70Ω |
| THD+N 1 kHz @ 0 dBFS | < - 110 dB (0.0003%) |
| Output Level Matching | ±0.01 dB |
| Attenuation Range (Software controlled) | - ∞ dB to 0 dB |
| Gain Step / Precision | 0.5 dB / ±0.05 dB |
| HEADPHONES | |
|---|---|
| Headphone Jacks | 2 Independent ¼” TRS Female Stereo 6.3 mm |
| Dynamic Range (A-weighted, typ.) High / Low | < -122 dB / - 117 dB |
| Max output Level High / Low | 17.1 dBu / 7.8 dBu |
| Frequency response +0/-0.2dB @ fs = 48 kHz | 6 Hz – 22 kHz |
| Frequency response +0/-3dB @ fs = 96 kHz | 2 Hz – 46 kHz |
| Frequency response +0/-3dB @ fs = 192 kHz | 2 Hz – 92 kHz |
| Output Impedance | < 0.035Ω |
| THD+N 1 kHz @ 0 dBFS High / Low | < -108 dB (0.00039%) / -110 dB (0.0003%) |
| Attenuation Range (Software controlled) | - ∞ dB to 0 dB |
| Gain Step / Precision | 0.5 dB / ±0.05 dB |
| A/D – D/A CONVERSION | |
|---|---|
| Supported Sample Rates PRO | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz and 192 kHz |
| Supported Sample Rates PREMIUM | 44.1 kHz up to 352.8 kHz (DXD), 384 kHz, DSD64, DSD128 & DSD256 |
| Bit Depth Per Sample | 32 |
| A/D Latency Sharp Short delay @ 44.1kHz to 96kHz | 5 samples |
| A/D Latency Sharp Short delay @ 174.6kHz to 192kHz | 6 samples |
| A/D Latency Sharp Short delay @ 352.8kHz to 384kHz | 7 samples |
| D/A Latency Sharp @ 44.1kHz to 384kHz | 35 samples |
| D/A Latency Slow @ 44.1kHz to 384kHz | 9 samples |
| D/A Latency Apodizing @ 44.1kHz to 384kHz | 35 samples |
| D/A Latency Brickwall @ 44.1kHz to 384kHz | 35 samples |
| COMPLEMENTARY I/O | |
|---|---|
| RAVENNA/AES67 (Gigabit Ethernet) | Locking EtherCON compatible with standard RJ45 connectors |
| Built-in Talkback microphone | Mono omnidirectional CMOS/MEMS membrane technology |
| GPI/MIDI Input | ¼” TRS Female |
| GPO/MIDI Output | ¼” TRS Female |
Redundant Power Options.
Anubis is small and compact, it can be powered by its main PSU or/and from PoE (Power over Ethernet) making it a reliable redundant powered device. The input voltage range offers the possibility to use a wide range of power supply such as a battery.
| POWER | |
|---|---|
| Power Supply Voltage (DC) | 9V to 15V DC |
| Power Supply Connector Type | Barrel jack, int. 2.5mm/out. 5.5mm, with locking function |
| Power Consumption (Typ.) | 15W |
| P-o-E (Power Over Ethernet) | IEEE 802.3at (PoE+) class 0 Power-over-Ethernet standard |
UPGRADE YOUR ANUBIS
Upgrading your Anubis to the latest firmware will give you access to the Monitor Mission and the Music Mission free of charge, along with other updates and fixes.
To download the firmware and documentation please go to the Anubis download section.
It is recommended to register your Anubis device(s) in the hardware section of your account. To get access to your account, please register here.
BUY AN ANUBIS
Merging has a worldwide network of carefully selected Sales Partners that will process orders and offer the best support in their respective countries.
If you are in a country without a Merging Sales Partner, you may contact us directly.
- Merging Technologies S.A.
- Route du Verney 4, 1070 Puidoux, Switzerland
- +41 (0)21 946 04 44
Support
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